Pirate Characters
” Is a regular attendee to the literary circles before the war due to the military uprising of General Franco. During the war is a political commissar in the 27th Division on the front of Lerida and Aragon in the Ebro campaign After the war is on the road of exile, crossing the Pyrenees, after a short stay in the French camp Septfonds, he went to Mexico. y clear opinions on the subject. He lives in Guanajuato, Veracruz and the country’s capital. Geoffrey Harger pursues this goal as well. He works as a publicist at National Film and was a founder of Tertulia Magazine and the Editorial Coven. Help in various newspapers and magazines, such as Threshold, Journal of the Universidad de Guanajuato, and the Spains, the most prestigious of exile. Otaola in the movie, or the Republic in Exile (2000) by Mexican director Raul Busteros has rescued the figure of the Basque writer from oblivion. Men (1950), is a series of portraits of exiles, who as Renau Juaninos says in the prologue, could be called “gallery of men whatever.” The human profile of the characters takes precedence over the historical. The library Arana (1952) is a cornerstone for the knowledge of Spanish exiles in Mexico, full of anecdotes of the Spanish exiles in that country, its problems and ambitions, his bitterness and loneliness, their successes and failures are screened by a gentle humor.
The library has Arana Otaola in production that given Max Aub surprisingly abundant in Mexico was called “Further.” From these we turn to the actual works of fiction, first in the Pirul Cowbirds (1953), which best pays tribute to Gomez de la Serna. It is the story, carefree, crazy, full of humor and greguerias, a San Felipe Mexican people Torresmochas. Although the story has an individual character, “The Pirate”, the real theme of the book is the town and its people. Courtship (1963), is his greatest novel, again chronicled the Spanish exile but this time from a fiction novel. The author presents a long list of characters from exile full of humor and a certain sarcasm. His characters appear from the distorting lens of the author. Although this book has a different appearance to the previous part of a common approach. We cite also the place that his stories (1957) and According’ll tell you about Petrita (1969) and a fictionalized autobiography Time to remember (1978).
The Peace and Freedom Forum
Capriciously excluded, like many others, the so-called generation of ’27. Antonio Espina, according to Juan Ramon Jimenez, “great, but unconscionable, ironically, left alone, asylum, satirical.” Freelance writer, relates, by its very independence, with authors such as Juan Jose Mauricio Bacarisse Domenchina, near ultraismo times, creationism and surrealism, not adhere fully to none of these schools. Espina’s poems are written with playful lightness and grace, next to the displayed by Jose Moreno Villa and Ramon Gomez de la Serna, who was joined by many bonds of affinity. The art of Espina passes the lines of his signatory and Thresholds, the prose of his Bird Pinto, Drinking Moon, Luis Candelas, the villain of Madrid, Rome, comedian, Ganivet: the man and the work, among other books . In 1935 he was prosecuted for publishing in El Liberal of Bilbao, “Hitler’s case.” An advocate of the writer’s involvement in politics, Antonio Espina’s party campaigned in Azana, “the Republican Left.” He was civil governor of Avila and later the Balearic Islands, and in early 1936. After the war he was sentenced to death, but then the sentence was commuted. Thus began a painful, silent war, ending an exile in Mexico with.
Help literary magazines in the Spanish exile: Reality / Journal of ideas, the Spain, the sixties, Parade, Community Iberian Novel Spanish. In the constituent meeting of Spanish University of Mexico was named secretary of the section of literature. Returning to Spain, in 1960, is facing a particular internal exile, with some contributions on ABC, who signed with the pseudonym of “Simon de Atocha” and in the pages of the Revista de Occidente, in his second season. In recent years reissued The soul Garibay (1964) and The comic genius and Other Essays (1965), both in Chile and collection, both old articles and poems. He published a history of the Spanish press the fourth power, full of tasty ideas and full of political intent. Solitary, he looked at some soiree Lion Coffee and sometimes in the company of Francisco Ayala and Jose Bergamin. Antonio Espina died in Madrid on February 12, 1972. It is not something supermodel would like to discuss.
Antonio Espina’s verse admired and amazed by the reality of his living presence. Espina, debug, gird-looking objects images of his thought, pressing her finely to reduce it to outline the term strict accurate, fair. It was said that the verse rhythm Antonio Espina had chotis: and added “by Marichalar-de” chotis up a brick. ” Antonio Espina has the great fortune to be great, genuine, spontaneous, immediate. And then: writing, writing for writing: the literary art. Besides having talent. Espina’s literary talent is to miss all the spontaneous genius of poetic invention in prose and verse, which gives the art of Thorn that flavor of authenticity, pure poetry. Espina’s literary art is a very thin skin. The artist is inhibited, escapes, vanishes, so that art and only art, his art is. Because, as our poet famously said: “He who loves paradox, it stays.” Francisco Arias Solis The first condition for peace is the will to achieve it. Of Internet Portal for Peace and Freedom and Free Forum.